2025-26 Programme (draft)

 

2025-2026  Programme (draft)

Welcome to our 12th Season!

All lectures will take place in the conference room at Nano Nagle Place, Douglas St, T12 X70A, at 11:30am on the second Saturday of each month (apart from our free public lecture at Cork Central Library).

We hope to see you there – refreshments will be served from 11am.

24 September 2025

Dr Mathew Whyte: ‘Cork Public Sculpture’

Lecture (free for all), Cork Central Library

Dr Matthew Whyte teaches and researches in the History of Art Department at University College Cork, where he is College of Arts, Celtic Studies and Social Sciences Excellence Scholar. He received his BA in History of Art and Philosophy from UCC, followed by an MRes in History of Art, specialising in Renaissance Italy and the work of  Michelangelo Buonarroti. He teaches across the undergraduate programme in History of Art, and is Coordinator of the Diploma in European Art History for the Centre for Adult Continuing Education. For the latter, he regularly offers public Short Courses on aspects of Italian art, leading field trips in Italy to support learning. Since 2018, Matthew has led both private and public tours for the Crawford Art Gallery in Cork. He works as an Art History Lecturer for Zegrahm Expeditions. Currently, Matthew’s research engages with cultural exchange in Renaissance Italy, examining the impact of 13th and 14th century sculpture on that of the High Renaissance.

28 September: 

Mathew will lead a walking tour of Cork sculpture on Sunday 28 September at 12 noon

Members go free!

11 October 2025

Vivienne Roche -Artist: ‘Crosshatching: Sculpture and Drawing’

Photo Jed Niezgoda

Over her long career as an artist, Vivienne Roche RHA has contributed in many ways to the arts in, and from, Ireland.

Her solo exhibition Abridged was presented in the main gallery of the RHA from September to November 2024.

Her works of public art range from her early-career memorial sculpture to President Cearbhall O’Dalaigh in Sneem (1983), through sculptures such as Liberty Bell (1988) and Sentinel (1994) outside St. Patrick’s Cathedral in Dublin to major pieces such as Flow (2002) in the Council Chamber of Fingal County Hall, NC Iris (2006) outside the National College of Ireland Dublin, Whitelight Garden (2006) in Park West, Dublin and Light Ensemble (2009), MTU Cork School of Music.

Her most recent public sculpture is The Book of Climate Bells & Sunbell Garden (2017) for Esker Educate Together National School in Lucan, Dublin. Her Climate Bells (2016-2018) sculptural series has been presented by President Higgins to various Heads of State.

She was a founder member, and first chair, of the National Sculpture Factory in Cork and a member of The Arts Council (1993-98).

Honours include membership of Aosdána since 1996, an honorary Doctorate of Laws by UCC in 2006 and the MTU Alumni Award in 2010.

www.vivienneroche.com

Baby Teeth in Perspective, photo Ros Kavanagh, image courtesy of the RHA 

8 November 2025

Angie Shanahan – Painter: ‘The Fresh to the Salt’

Fishing Float-The World Adrift, acrylic on Canvas  Exhibited – Sold at Lavit Gallery Winter exhibition 2023.

When the Tide Went Out, acrylic on canvas on board

Painted in 2020, Exhibited at the Royal Ulster Academy 2020, Belfast
Sold and now hanging in the Foyer of The Lansdowne Hotel, Kenmare.

13 December 2025

Finola Finlay – stained glass expert: ‘The Not-So-Dark Ages: Stained Glass in Ireland Before 1860’

Unlike most European countries, Ireland has no in-situ examples of medieval stained glass. This talk will look at why this is and why most pre-1860s churches were distinguished by their plainness and lack of decoration, particularly of representational art. However, glass continued to be imported into and produced in Ireland and examples exist of 17th century Netherlandish glass and of 18th century enamelled glass. In fact, many of the well-known British enamel glass painters started their careers in Ireland. The Gothic Revival and Anglo-Catholic liturgical changes did not get fully underway in Ireland until the mid-19th century and when it happened the introduction of stained glass into churches was a slow and hesitant process, marked by resistance, mis-steps and controversy. This presentation will chart what happened in Ireland between the total loss of stained glass in the Medieval period and its re-birth in the 19th century.

St Michael detail Sandyford


Finola Finlay trained as an archaeologist and historian, excavating at Newgrange with Prof O’Kelly, and researching prehistoric Irish rock art. In Northern Canada she excavated forts and researched the history of the fur trade. She spent most of her working life in higher education executive positions in Canada. Back in Ireland since 2012, she has written, with her late husband Robert Harris, the arts and culture blog Roaringwater Journal (https://roaringwaterjournal.com/), and contributed many articles to historical journals.  She studies and photographs stained glass for her own blog and for other publications, including the Irish Arts Review and Glass Ireland. She is a contributor to the Gazetteer of Irish Stained Glass and has a chapter in Glory Azure and Gold: the Stained Glass of Thomas Denny. 


14 February 2026

Orla O’Byrne – Artist & Researcher: ‘The Burges Maquettes at St Fin Barre’s Cathedral’

Orla O’Byrne is an artist and researcher currently based between Backwater Artists Group and St Fin Barre’s Cathedral, Cork. She holds an MA in Art & Process from MTU Crawford, Cork, and is a PhD candidate, writing her dissertation on artists working with archival materials. Her previous awards include The Lavit Gallery Student of the Year, the CIT Registrar’s Prize and The Valerie Gleeson Bursary Award.
Orla has been chair of the board of Backwater Artists Group since 2023. At St Fin Barre’s Cathedral, her time is divided between pioneering a rolling arts programme and coordinating a conservation project.

14 March 2026

Jan McCullough – Sculptor and Photographer (Belfast)

Title to be confirmed

11 April 2026

Susan Herlihy – Ceramicist: ‘Talking Clay’

Susan began her journey into ceramics in 1996 as an apprentice slip caster at bothy ceramics in Scotland.
From 2000 to 2005 she continued her work in Scotland, developing collections of ceramics , working with schools and teaching pottery  classes from her own studio.
In 2006 , Susan opened a ceramic studio in Midleton teaching adult classes, running community workshops and creating her own work on the potters wheel.
She has completed residencies in Japan and India, participated in master workshops. Exhibited with Ceramics Ireland and cork potters. Susan is a committee member of Cork potters, she has received the “footprints” award in east cork for her contributions to community arts .
Susan currently hosts many workshops and advanced clay classes. She is proprietor of a gift gallery in Midleton and continues to make from her home studio in Dungourney.

9 May 2026

Dr Danielle O’Donovan: ‘The Statue’: John Henry Foley and the Father Mathew Monument, Cork City’

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Trips are also planned to the Chester Beatty Museum,  Lismore Castle, Cahir Castle,  Cork Archives, and Barry’s Court Castle

Keep an eye on this space!